Ferrari’s first fully electric car was never going to be just another EV with a famous badge glued on the nose, and the new Ferrari Luce makes that point in neon. This is Maranello opening an entirely new chapter – four doors, five seats, four motors, and zero cylinders – without blinking on performance, drama, or that slightly irrational sense of occasion people buy Ferraris for in the first place.
From the first official unveiling in Rome, Ferrari has been very clear: Luce is not “the electric Ferrari” so much as a new kind of Ferrari that happens to be electric, designed from the ground up around an all-new architecture, a radical design language, and more than 60 fresh patents.
If you follow Ferrari, you know they’ve been in no hurry to jump into the fully electric pool. For years, the brand has leaned on its “multi-energy” strategy – hybrids like the SF90 Stradale and 296 GTB proving you can have electrification without killing the vibe of a high-revving engine. The Luce is the logical, if bold, endpoint of that plan: the culmination of a roadmap Ferrari first laid out at its 2022 Capital Markets Day, where it promised a mix of combustion, hybrid, and pure EVs rather than an overnight flip to batteries.
That context matters, because it explains why Ferrari is almost defensive in how it talks about Luce. The company keeps repeating a phrase that sounds simple but is doing a lot of heavy lifting: technological neutrality. In practice, that means they see electrification as one more tool to expand what a Ferrari can be – more space, new forms, new types of performance – not as a forced replacement for V8s or V12s. The Luce slides into the lineup alongside those cars, rather than stepping on their toes.
The name itself is a statement. Luce means “light” in Italian, and Ferrari clearly loves the symbolism: light as in illumination, guidance, and also that almost spiritual clarity that great design geeks out over. They unveiled the car at the Vela di Calatrava in Rome – the futuristic “Città dello Sport” complex – on the anniversary of Ferrari’s first race win back in 1947, creating a neat loop from the 125 S to this glass-domed electric GT.
But when you strip away the storytelling, Luce is also a very specific product play. Ferrari is opening up a new segment: a four-door, five-seat EV positioned at the very top of the luxury electric market, likely costing north of half a million euros and aimed at buyers who might otherwise be looking at cars like the Rolls-Royce Spectre, top Taycan variants, or even high-end Lucid Airs. The difference is that this one wears a prancing horse, packs more than 1,000 horsepower, and is unapologetically tuned to feel like a Ferrari rather than an ultra-quiet lounge on wheels.
Visually, the Luce doesn’t read like a stretched sports car so much as a glass sculpture with a Ferrari hiding underneath. One of the most striking things about it is the “glass house”: a pure, shell-like canopy of glass that flows down past the beltline to the edges of the car, with two floating aero “wings” – one front, one rear – hovering around it like bodywork that has been peeled away from a clean central capsule.
The design is the result of a very unusual collaboration. Instead of keeping it entirely in-house, Ferrari brought in LoveFrom, the creative collective led by former Apple design chief Sir Jony Ive and Marc Newson, and essentially gave them philosophical and aesthetic ownership from day one. That means a lot of what you see – the almost obsessive simplicity of surfaces, the way the light units disappear when off, the emphasis on glass and precise metals – feels closer to a high-end industrial product than a traditional car.
Look closer and Ferrari’s aero engineers have clearly had their way with it too. The body is all smooth, convex volumes, with minimal sharp edges or cutlines to mess up airflow, and a pair of suspended front and rear wings handle the job of managing downforce and drag without adding fussy spoilers. The front and rear light panels are integrated into these surfaces as transparent elements that visually recede when turned off, preserving that clean, almost concept-car silhouette.
Then there are the wheels – 23 inches at the front and 24 at the rear, the largest staggered setup ever fitted to a series-production Ferrari – available in both open five-spoke and turbine-style aero designs. Besides the visual drama, Ferrari says those turbine wheels help cut drag by around 5 percent by managing the air wake around the rotating masses.
Open all four doors and the Luce stops being an object and starts feeling like a space. This is only Ferrari’s second four-door after the Purosangue, and the first car from the brand with five seats, made possible in part by the absence of a traditional central transmission tunnel. Inside, the cabin feels surprisingly airy and expansive, leaning into that “light” theme with huge glass, slim pillars, and surfaces that are simple rather than shouty.
Instead of one big tablet dominating the dashboard, the interior is organized as a series of carefully composed “objects.” The steering assembly combines a three-spoke wheel, the digital/mechanical binnacle, and those all-important manettino controls into a single coherent module. The wheel itself is machined from recycled aluminum, with carefully placed analogue control islands, glass inlays, and a leather rim – very much a physical thing first, screen second.
Behind it, the instruments are housed in a multi-layered cluster built around custom OLED panels co-developed with Samsung Display, with physical bezels, machined lenses, and a mixture of digital faces and mechanical needles. One dial shows power delivery and regen tied directly to the e-Manettino mode, the center dial combines speed and battery level, and a third can be configured to show performance-oriented data like lap timers or energy usage. It’s all intentionally tactile and legible, clearly pushing back against the “wall of touchscreen” trend.

In the center, there’s a floating control panel on an articulated arm with its own handle and palm rest. Basic functions – climate modes, core car settings, media – live on physical buttons and dials, while the attached OLED handles deeper menus like navigation or seat configuration. Even the “multigraph” – a combination clock, compass, and stopwatch – uses analog-style dials with a digital face, reinforcing this blend of old-school instrument thinking with modern tech.
The materials story is equally deliberate. Corning Gorilla Glass is used not just for exterior glazing but also for interior touch surfaces, combining scratch resistance with optical clarity. Recycled anodized aluminum appears everywhere from the steering wheel to the center console, and leather wraps the key touchpoints with the kind of finish Ferrari customers expect. Seats are slim, sculpted, and available in multiple patterns and fabrics, all individually power adjustable, with heating and optional massage.
And because this is a grand tourer as much as a sports car, Ferrari has poured real effort into the audio. Luce debuts a new high-end system with 21 speakers, a 24-channel 3,000-watt amplifier, and a proprietary “Ferrari Audio Signature” tuned around specific presets – Studio, Concerto, Immersive, Opera, Electronic – plus a Solo mode for optimizing the sound for a single seat. Each car’s system is measured and calibrated individually using a patented process, which is the sort of obsessive detail you normally hear from high-end hi-fi brands, not carmakers.
Of course, none of this matters if the car doesn’t deliver the numbers. On paper, it really does. Under that sculpted floor is a structural 122kWh battery pack, integrated into the chassis as a load-bearing element and built around 210 cells in series, running on an 800-volt architecture. That high voltage allows for very high charging speeds – up to 350kW – and more efficient power delivery, with Ferrari claiming inverter and power electronics efficiencies north of 98 percent.
Each wheel gets its own permanent magnet synchronous motor derived from Ferrari’s F80 project and experience with the SF90 Stradale and 499P race program. The front motors spin up to 30,000 rpm, the rear to 25,500 rpm, and together they generate a combined peak output of around 1,050 cv (roughly 1,035 horsepower), all managed through a bespoke torque vectoring and control system.
Despite a kerb weight of about 2,260kg, the Luce’s performance claims are firmly in supercar territory: 0–100km/h in 2.5 seconds, 0–200km/h in 6.8 seconds, and a top speed above 310km/h. Ferrari quotes a driving range of more than 530km on the WLTP cycle, which translates to somewhere in the neighborhood of 280 miles on stricter U.S. EPA estimates, according to independent reporting.
What’s arguably more interesting is how much work Ferrari has done on the “feel” side of the equation. They’ve positioned the battery low in the floor, dropped the center of gravity by about 95mm versus the Purosangue, and reduced yaw inertia by roughly 15 percent, which, in their words, makes the Luce change direction like a car that weighs about 400kg less. Semi-virtual double wishbone suspension, independent rear-wheel steering, and active dampers all work with the quad-motor layout to keep the car nimble rather than floaty.
The electric all-wheel drive system is a first for Ferrari and is built to fully exploit torque vectoring, both under acceleration and braking, by independently controlling each wheel’s torque as well as its vertical motion and steering angle. Everything feeds into a new Vehicle Control Unit (VCU), which ties together powertrain, dynamics, and even thermal management on a single high-speed network, updating targets 200 times per second. In plain language: the car is constantly re-thinking how to deploy power, regen, and suspension settings to align with what your hands and feet are telling it to do.
Living with an EV is as much about the software as the hardware, and Ferrari seems painfully aware of that. Thermal management – keeping the battery and motors in the right temperature window – is treated as a core part of the driving experience rather than an invisible layer underneath. The cooling system splits into separate loops for the high-voltage battery, inverters, electric axles, active suspension, and cabin, with three active front grilles that constantly trade off between drag reduction and cooling demand.
The VCU orchestrates fast-charging behavior, warming up the battery in cold weather, preconditioning the cabin while plugged in, and even mixing recirculated and fresh air to reduce energy consumption in low-temperature climates. There’s also a Vehicle State Estimator that learns your driving habits and uses that data to refine range predictions over time, giving more realistic trip planning than a simple “distance to empty” guess.
On the driver’s side, the e-Manettino offers modes with very clear personalities. Range mode limits power to 320kW, prioritizes rear-wheel drive, caps top speed at 260km/h, and does all sorts of clever tricks like alternating traction between rear wheels at high frequency to sit right at the efficiency sweet spot. Tour mode bumps power to 460kW and keeps all-wheel drive active for a secure, quietly quick everyday setup. Performance mode ramps output to 725kW, unlocks the full 310km/h top end, and dials in faster, more aggressive responses, with the VCU’s Power Deployment Control shaping power delivery so it feels progressive and repeatable even under heavy use.
Just as in recent ICE Ferraris, a separate five-position manettino handles stability and grip logic, now with a new “Dry” setting aimed at real-world road conditions rather than perfect track tarmac. It works hand in hand with a next-generation Side Slip Control X system that estimates available grip and lets the car dance a little without fully letting go.
One of the weirder questions hanging over every electric Ferrari was always: what does it sound like? Ferrari’s answer with the Luce is to avoid synthetic sci-fi soundtracks and instead amplify what’s already there in the hardware. A precision accelerometer on the axle picks up the vibrations and tonal character of the rotating components; that raw signal is then filtered, equalized, and amplified in a way Ferrari likens to an electric guitar – essentially turning mechanical behavior into a musical instrument.
Crucially, this system doesn’t run all the time at full blast. Sound level and character are tied to the e-Manettino mode and the use of the torque-control paddles, so you can go from a calmer, more hushed drive to something more expressive and intense when you’re in the mood. The result is a sound that exists both inside and outside the car, with external speakers projecting a natural-shaped wave while interior speakers focus on clarity and fidelity.
Meanwhile, Ferrari has gone to town on traditional noise, vibration, and harshness. The Luce uses the first elastically mounted rear subframe in Ferrari’s history, extensive soundproofing, and that slippery body design to reduce road and wind noise, positioning it as the most comfortable Ferrari ever from an acoustic standpoint. It’s a subtle but important point: Luce is meant to be driven long distances, not just blasted up a mountain pass for 20 minutes at a time.
If you zoom out from the spec sheet, the strategy becomes pretty clear. This isn’t Ferrari chasing mass-market EVs; it’s Ferrari using electrification to sell a new kind of ultra-high-end GT to people who want space, silence when they choose it, and the latest tech, but still want a car that feels like a Ferrari at its core.
By keeping development of the motors, battery pack, and core control systems in-house, Maranello retains control over the driving experience and long-term support, down to promising future assistance on electric components and batteries under its Ferrari Forever philosophy. Environmental impact is part of the picture too: Ferrari points to heavy use of recycled secondary-alloy aluminum in the chassis and body, cutting CO₂e emissions during production by about 70 percent for the weight of the vehicle.
Is this the end of the V12? Ferrari would say no – and for now, they’re right. What Luce really signals is that the brand no longer sees electric powertrains as incompatible with its identity. Instead, it’s betting that the prancing horse can gallop just as hard in absolute silence, as long as everything around that battery and those motors – the design, the interfaces, the dynamics, and yes, even the sound – has been sweated over with the same intensity as any great Ferrari engine.
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