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Apple’s “Shot on iPhone” wins Grand Prix for Creative Effectiveness in 2025

Celebrating a decade of user-generated content, Apple’s “Shot on iPhone” campaign takes home the top award at the 2025 Cannes Lions.

By
Shubham Sawarkar
Shubham Sawarkar
ByShubham Sawarkar
Editor-in-Chief
I’m a tech enthusiast who loves exploring gadgets, trends, and innovations. With certifications in CISCO Routing & Switching and Windows Server Administration, I bring a sharp...
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Jun 22, 2025, 6:16 AM EDT
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Large illuminated billboard advertisement for Apple iPhone 6S featuring a woman in a winter coat against a sunset sky, with "Shot on iPhone 6S" text and Apple logo, positioned between tall urban office buildings at dusk. The billboard overlooks a parking lot with several cars, while the surrounding skyscrapers display lit windows creating a city nighttime atmosphere. T-Mobile and Chase bank logos are visible on adjacent buildings.
Photo: Joe Fotheringham
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Apple’s “Shot on iPhone” campaign recently celebrated its tenth anniversary by clinching the Grand Prix for Creative Effectiveness at the 2025 Cannes Lions International Festival of Creativity in Cannes, France. This milestone not only underscores a decade of creative storytelling but also highlights how a deceptively simple idea can yield measurable business impact over the years.

When Apple first rolled out “Shot on iPhone” in early 2015 to spotlight the iPhone 6’s camera capabilities, it leaned into a straightforward insight: everyday users capture remarkable moments, and those images are powerful endorsements. The campaign, created by TBWA\Media Arts Lab, invited real iPhone owners to share their photos, which Apple then displayed on billboards, in transit ads, retail displays, and online galleries. The premise: if something looks great on a billboard, it signals the iPhone’s camera is all you need to create standout visuals.

Even TBWA\Media Arts Lab and Apple marketing leaders described the idea as “ridiculously simple.” Tor Myhren, Apple’s marketing communications vice president at the time, noted that simplicity was key to positioning the iPhone as a tool in anyone’s hands, democratizing creativity rather than gating it behind professional gear. Over the years, this notion became ingrained: “Shot on iPhone” morphed into a cultural shorthand for smartphone photography prowess.

From static photographs to dynamic video storytelling, “Shot on iPhone” evolved alongside Apple’s camera innovations. Early phases emphasized major features—portrait mode, low-light improvements, optical zoom, and eventually computational photography leaps in later models. Apple began sharing user-generated short films on YouTube, showcasing cinematic results from devices like the iPhone 11 Pro, iPhone 12 Pro, and beyond. These videos not only illustrated video-recording capabilities (e.g., 4K, Dolby Vision HDR) but also underscored how users could push boundaries with minimal equipment.

Campaign activations extended globally. Billboards in major cities featured striking user photos; Instagram hashtags facilitated community engagement; contests and challenges spurred fresh submissions; and occasional collaborations with filmmakers (some segments noted directors shooting projects or shorts on iPhones) blurred the lines between amateur and professional work. Over ten years, Apple curated hundreds of images and dozens of video spots, reinforcing the iPhone’s camera as a central differentiator in a crowded smartphone market.

At Cannes Lions 2025, the “Shot on iPhone” campaign was honored with the Grand Prix in the Creative Effectiveness Lions category. This award specifically celebrates creative work that delivers measurable business results—proof that creativity isn’t just about aesthetics or buzz, but about sustained impact. According to festival announcements, Apple and TBWA\Media Arts Lab triumphed over hundreds of entries, with only one Grand Prix awarded in this category.

Judges pointed to the campaign’s “groundbreaking ability to democratize creativity, transforming everyday moments into art,” as Andrea Diquez, CEO of advertising agency GUT, commented: “The campaign stood out as a masterclass in elevating user-generated content to build a long-term platform with stunning execution.” Industry coverage noted that the platform’s consistency over ten years—refreshing visuals, tapping into cultural moments, and leveraging technological advances—helped bolster iPhone sales and brand affinity continuously.

While buzz and social engagement are often proxies for success, Creative Effectiveness demands hard evidence. Apple’s campaign reportedly correlated with uplifted camera-centric purchase intent, higher brand recall, and incremental sales in key markets. Counterpoint Research data cited by Cannes organizers suggested that camera performance remained a top factor in consumers choosing an iPhone, with “Shot on iPhone” reinforcing that perception year after year.

Moreover, Apple’s approach created a low-cost, high-authenticity content pipeline: user submissions reduced reliance on expensive shoots while providing fresh, varied visuals. This model yielded efficiency gains and a treasure trove of assets easily repurposed across channels. By showcasing diverse photographers—from hobbyists capturing street scenes to travelers snapping landscapes—the campaign also fostered inclusivity and cultural resonance.

Advertising executives lauded the win. As noted in Adweek, Apple’s entry exemplified how a brand can sustain a single idea over a decade, iterating rather than reinventing, which built a robust long-term platform rather than fleeting campaigns. Peer agencies pointed out that maintaining momentum for ten years requires balancing freshness with brand consistency: every new iPhone launch introduced camera features that reinvigorated the narrative while staying true to the core insight of empowering users.

TBWA\Media Arts Lab has been Apple’s long-standing creative partner, credited with iconic campaigns like “Think Different” and various product launches. For “Shot on iPhone,” the collaboration centered on curatorial rigor—sifting through thousands of submissions to select images aligning with Apple’s aesthetic standards. The agency’s craft involved not only selecting visually striking photos but contextualizing them in ways that felt authentic—sometimes pairing images with short stories or photographer profiles, amplifying human interest angles.

On the operations side, managing global submissions, rights clearance, and legal considerations (e.g., usage permissions across regions) demanded robust workflows. Apple’s internal teams coordinated with legal, marketing, and social media units to ensure proper attribution, respect local regulations, and maintain quality control. The sustained partnership exemplifies how client-agency alliances evolve: from initial brainstorming in 2015 to sophisticated data-driven selection processes in 2025.

Apple’s “Shot on iPhone” turning ten and winning the Cannes Lions Grand Prix for Creative Effectiveness epitomizes how a brand can marry technology, culture, and community to achieve enduring impact. By empowering users to see themselves as creators and amplifying those voices on a global stage, the campaign transcended typical product marketing to become a cultural movement. As Apple and TBWA\Media Arts Lab look ahead, the lessons of simplicity, iteration, and genuine engagement will likely guide the next chapter of this storied platform—underscoring that sometimes the most powerful campaigns begin with nothing more than a camera in your pocket and a moment worth capturing.


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