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AirPodsAppleMobileTech

Apple brings lossless audio to AirPods Max with iOS 18.4

AirPods Max unlock 24-bit lossless audio in April 2025.

By
Shubham Sawarkar
Shubham Sawarkar's avatar
ByShubham Sawarkar
Editor-in-Chief
I’m a tech enthusiast who loves exploring gadgets, trends, and innovations. With certifications in CISCO Routing & Switching and Windows Server Administration, I bring a sharp...
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Mar 24, 2025, 12:53 PM EDT
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AirPods Max devices are shown starlight, orange, purple, blue, and midnight.
Image: Apple
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You’re lounging on your couch, AirPods Max perched snugly over your ears, and your favorite album starts playing. The bass thumps, the vocals soar, and every little detail—the faint tap of a drumstick, the subtle breath of a singer—hits you like it’s the first time you’ve heard it. For years, audiophiles have been begging Apple to bring true lossless audio to its premium headphones. Well, folks, the wait is almost over. Apple dropped some big news today, and it’s got music lovers, gamers, and creators buzzing: the AirPods Max are finally getting lossless audio support in April. And honestly? It’s about time.

Let’s rewind a bit. When Apple launched the AirPods Max back in 2020, they were hailed as a luxury contender in the over-ear headphone game—sleek design, top-tier noise cancellation, and a price tag that made you double-check your bank account ($549, if you’re new here). But for all their polish, there was a catch: they didn’t support true lossless audio, even when wired. Sure, you could plug them into your iPhone with the Lightning cable (sold separately, of course), but the audio signal went through a conversion process that stripped away some of that pristine, studio-quality goodness. It was better than Bluetooth, but it wasn’t lossless. Audiophiles noticed, and they weren’t shy about pointing it out.

Fast forward to last year, when Apple swapped the Lightning port for USB-C on the AirPods Max to keep up with the times (and, let’s be real, EU regulations). Great move, right? Except in the process, they ditched wired audio playback entirely. No more plugging into your Mac or iPhone for a higher-quality listen. Fans were left scratching their heads—why upgrade the port but take a step back on functionality? Well, Apple’s finally making it right.

In a press release dropped this morning, Apple announced that a firmware update hitting in April will bring 24-bit, 48 kHz lossless audio to the AirPods Max via that USB-C port. “With the included USB-C cable, users can enjoy the highest-quality audio across music, movies, and games,” the company said, adding that “music creators can experience significant enhancements to songwriting, beat making, production, and mixing.” Translation? Whether you’re a casual listener or a producer tweaking tracks in Logic Pro, the AirPods Max are about to sound a whole lot better.

And it’s not just about flat audio files. Apple’s throwing in support for lossless playback with Personalized Spatial Audio, their fancy 3D sound tech that adjusts based on how you move your head. Imagine hearing every layer of a song—guitars panning left to right, a snare hit popping just behind your ear—all in crystal-clear detail. It’s the kind of thing that could make you rediscover your music library all over again.

A music album recorded using Lossless Audio with ultra-low latency, displayed in Apple Music on iPhone 16 Pro.
Image: Apple

Here’s where it gets even juicier: the update isn’t just for audiophiles spinning vinyl rips. Apple says the AirPods Max are also getting “ultra low latency” with this update, which opens the door to some pretty cool use cases. Gamers, for one, might find these cans a legit option now—think pinpoint-accurate footsteps in Call of Duty or the roar of an engine in Forza Horizon. Live streamers and podcasters could benefit too, with tighter audio sync that keeps everything sounding crisp. And for music producers? Low latency means you can monitor your mixes in real time without that annoying delay that throws off your groove.

This isn’t just a spec bump; it’s Apple positioning the AirPods Max as more than a pricey lifestyle accessory. They’re pitching them as a serious tool—something that could rival pro-grade headphones from brands like Sony or Sennheiser. Whether they’ll fully deliver on that promise remains to be seen, but it’s a bold swing.

So, how do you get in on this? The lossless magic arrives with a firmware update tied to iOS 18.4, iPadOS 18.4, and macOS Sequoia 15.4, all slated for April. If you’ve got a USB-C to USB-C cable lying around (the one that comes with the AirPods Max will do), you’re set. Plug into your iPhone, iPad, or Mac, and you’ll be streaming lossless tracks from Apple Music—or any other source that supports it—in no time.

But wait, there’s more: Apple’s also launching a $39 USB-C to 3.5mm audio cable, matching the braided aesthetic of their recent Thunderbolt and charging cables. It’s a small touch, but it means you can hook your AirPods Max up to older devices—like a headphone jack-equipped amp or even an airplane entertainment system—without compromising on style. (Because if you’re dropping $549 on headphones, you probably care about the vibes.)

USB-C to 3.5 mm Audio Cable (1.2 m). Image showing USB-C connector and 3.5mm headphone jack connector, white cable, woven design.
Image: Apple

For the uninitiated, “lossless audio” means you’re hearing a file that hasn’t been compressed to death. Most streaming services, even at their “high quality” settings, use formats like MP3 or AAC that shave off bits of data to save space. Lossless files—like ALAC on Apple Music—keep all the original recordings intact, down to the tiniest nuances. It’s the difference between a blurry photo and a 4K masterpiece. Does everyone notice? Nope. But if you’ve got a good ear—or just love geeking out over sound—it’s a game-changer.

Apple’s been pushing lossless audio hard since it rolled out the feature to Apple Music in 2021, at no extra charge. The catch? Most of their own devices couldn’t fully take advantage of it. AirPods, even the Pro models, rely on Bluetooth, which caps out at compressed audio. The AirPods Max, despite their wired option, didn’t hit true lossless either—until now. This update feels like Apple finally closing the loop, delivering on a promise they’ve been dangling for years.

The catch (there’s always one)

Before you get too excited, a heads-up: this upgrade is only for the USB-C AirPods Max. If you’ve got the older Lightning version, you’re out of luck—those are stuck with the same analog-to-digital conversion that keeps them shy of true lossless. It’s not a dealbreaker (wired playback on the Lightning model still beats Bluetooth), but it’s a bummer for early adopters who shelled out back in 2020.

Related /

  • Get new AirPods Max colors without buying the USB-C version
  • Apple’s new AirPods Max update includes a USB-C port and a range of new colors
  • AirPods live translation is coming in 2025 via iOS 19

And let’s talk price for a sec. At $549, the AirPods Max aren’t cheap. This update makes them a stronger contender against rivals like the Sony WH-1000XM5 or Bose QuietComfort Ultra, both of which have their own strengths (and, frankly, lower price tags). But Apple’s betting on the ecosystem pulls—seamless pairing with your iPhone, iPad, and Mac, plus that sweet Spatial Audio trick—to keep you in the fold.

The AirPods Max have always been a flex—great sound, killer design, and a vibe that screams “I’ve got taste.” But they’ve also been a bit of a tease, promising premium audio without fully delivering for the pickiest listeners. With lossless support and low latency on the way, they’re stepping up in a big way. Come April, you’ll be able to plug in, crank up a track like Fleetwood Mac’s “The Chain” or Kendrick Lamar’s “HUMBLE.,” and hear every layer exactly as it was laid down in the studio.

Is it worth the upgrade if you’ve been holding off? If you’re deep in Apple’s ecosystem and crave that next-level sound, maybe. If you’re just here for casual jams, the Bluetooth experience is still solid. Either way, this move shows Apple’s listening—pun intended—to the audiophile crowd. And for once, they’re not making us wait forever to hear the difference.


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