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AppsEntertainmentSpotifyStreamingTech

Spotify rolls out music videos to Premium users in the US and Canada

Premium listeners in the US and Canada can now watch official music videos in Spotify with a smooth audio-to-video toggle designed to reduce app switching.

By
Shubham Sawarkar
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ByShubham Sawarkar
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I’m a tech enthusiast who loves exploring gadgets, trends, and innovations. With certifications in CISCO Routing & Switching and Windows Server Administration, I bring a sharp...
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Dec 9, 2025, 10:15 AM EST
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Spotify is finally letting Premium subscribers in the U.S. and Canada flip a switch and watch music videos without leaving the app — a feature it’s been quietly testing overseas for more than a year and is now rolling out in beta across iOS, Android, desktop and TV. The idea is simple: don’t make people hop to YouTube or TikTok when they want visuals; give them the option to turn a listening session into a watching session in place.

When a supported track plays, you’ll see a tiny but consequential new control: “Switch to video.” Tap it and the music video starts from the same spot in the song; tap “Switch to audio,” and you go back to background listening without restarting the track. That handoff — audio to video and back again — is the core of Spotify’s approach: treat video as a layer you toggle on, not a separate destination you must leave the app to visit.

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Don’t expect a YouTube-sized library on day one. The catalog at launch is deliberately narrow and curated: Spotify highlights a mix of mainstream and regional names — Ariana Grande, Olivia Dean, BABYMONSTER, Addison Rae, Tyler Childers, Natanael Cano and Carín León among them — a roster meant to test everything from global pop to regional genres and breakable viral acts. Think of it as a pilot runway rather than the whole airport.

That curation matters because Spotify isn’t trying to recreate an open social feed. In video mode, the familiar lyrics panel gives way to a “Related Music Videos” rail, and the content the app surfaces is artist-created rather than user-generated. In practice, the experience leans toward a curated, MTV-meets-on-demand model: fewer random clips, more official videos and live performance material — the kind of controlled catalog that labels can be comfortable placing behind a paid wall.

Strategically, shipping music videos in North America is a direct play at the services that have historically owned visuals. YouTube’s dominance in music discovery and TikTok’s short-form discovery engine have been retention and discovery advantages for those platforms; giving Premium subscribers a way to watch videos without leaving Spotify helps blunt that edge and gives the company more to show labels and advertisers when it talks engagement. In short, videos help justify Premium and keep attention inside Spotify’s walls.

How Spotify’s approach stacks up matters. YouTube still wins on sheer volume — official clips, edits, reaction videos and a tidal wave of short-form vertical content. TikTok remains unmatched for raw virality and discovery via microclips. Spotify’s bet is narrower: if people can discover a song and then stay inside the platform to play the full track and, sometimes, the full video, Spotify captures both discovery and sustained listening in the same session rather than sending attention elsewhere. Whether that actually translates into more streams or better ad metrics is the experiment.

There are obvious early limits. Only a subset of tracks currently support videos, so the feature will feel like a shiny toggle on a handful of pages rather than a default part of the listening experience. It’s also gated to Premium subscribers, which keeps the feature in the “value-add” column instead of being mass-market. Still, the product’s design — a persistent toggle, a related videos discovery rail, and artist-only clips — gives Spotify a clean template to scale if labels and artists see meaningful playback or engagement lift on the tracks that support video.

What to watch next is straightforward: will the catalog expand, and how fast? If artists and labels start pushing their visual catalogs into Spotify and the company can show measurable increases in repeat plays, saves and shares tied to videos, this beta could grow into a core part of the listening experience. If not, it’ll remain a niche toggle that’s nice to have but doesn’t meaningfully shift where listeners spend their visual attention. Either way, right now, the change is less about reinventing Spotify than about making the app a slightly more self-contained place to both hear and see music.

If you’re on Premium in the U.S. or Canada, watch for the button to appear on supported tracks across your devices; if you notice a particular artist’s back catalogue gain new videos, that’s the signal Spotify’s partners are leaning in. For everyone else, this feels like the beginning of a rethink: audio-first services can, and probably will, fold visuals into their product stories — which means the battle for how we discover and re-experience music is quietly shifting inside the apps you already use.


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