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Spotify set to raise US subscription prices in early 2026

Spotify bows to pressure from major record labels on pricing.

By
Shubham Sawarkar
Shubham Sawarkar's avatar
ByShubham Sawarkar
Editor-in-Chief
I’m a tech enthusiast who loves exploring gadgets, trends, and innovations. With certifications in CISCO Routing & Switching and Windows Server Administration, I bring a sharp...
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Nov 25, 2025, 7:30 AM EST
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If you were hoping that your subscription fatigue might get a reprieve in 2026, I have some bad news. It looks like the era of the “inflation adjustment” notification isn’t over yet.

According to a new report from the Financial Times, Spotify is preparing to raise subscription prices for users in the United States in the first quarter of next year. While the company hasn’t officially confirmed the new rate, sources familiar with the matter suggest this is a done deal—and Wall Street is already doing the math.

For those of us who have been subscribers since the early days, this serves as a somewhat rude reminder: the golden age of the $9.99 all-you-can-eat music buffet is truly, deeply dead.

The report indicates that Spotify is planning this hike for early 2026 (Q1), marking the first price increase in the U.S. since July 2024.

The financial logic here is blunt. JPMorgan analysts have crunched the numbers and projected that even a $1-a-month price rise would boost Spotify’s annual revenue by roughly $500 million. When you are a public company under immense pressure to show sustained profitability, half a billion dollars is a difficult number to ignore.

This isn’t an isolated event. Spotify has already rolled out similar price hikes across South Asia, the Middle East, Africa, Europe, and Latin America over the last year. The U.S. market, being the most lucrative, was simply the last domino waiting to fall.

Why is this happening?

It’s not just about Spotify wanting to pad its margins; it’s about the people who own the music.

1. The “value gap” argument
Major record labels (Universal, Sony, Warner) have been applying serious pressure on streaming services to raise their prices. Their argument is straightforward: the price of music subscriptions has lagged behind inflation for over a decade.

They also point to the video streaming market. Services like Netflix and Disney+ have aggressively raised prices year over year. In comparison, music streaming has remained relatively cheap. The labels argue that access to nearly every song ever recorded is worth more than the price of a sandwich, and they want their cut of that increased valuation.

2. The Wall Street pivot
For years, Spotify operated with a “growth at all costs” mindset. But as we’ve seen with the recent leadership transitions—including founder Daniel Ek moving to Executive Chair—the company has pivoted hard toward efficiency and margins. Investors are no longer satisfied with just user growth; they want to see the Average Revenue Per User (ARPU) go up.

The Apple comparison

Here is where things get interesting for the average consumer.

Historically, Spotify and Apple Music moved in lockstep. If one raised prices, the other followed. However, in the current U.S. landscape, Spotify is already more expensive.

  • Spotify Premium (current): $11.99/month
  • Apple Music (current): $10.99/month

Spotify currently costs $1-a-month more than its biggest rival in the U.S. If Spotify pushes that to $12.99, they are betting that their product—specifically their discovery algorithms, cross-platform connect features, and the cultural phenomenon of “Spotify Wrapped”—is sticky enough that users won’t defect to Apple just to save two dollars.

It is perhaps ironic that this news breaks in late November, right around the time our social media feeds are about to be flooded with Spotify Wrapped graphics. It’s a reminder of why they can get away with this. We aren’t just paying for music files anymore; we are paying for the data, the playlists, and the ecosystem that knows our taste better than we do.

So, thanks for the reminder, Spotify. We might complain about the extra dollar, but we probably aren’t going anywhere.


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