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CESComputingGamingNVIDIATech

NVIDIA DLSS 4.5 makes older RTX games look new again

DLSS 4.5 upgrades image quality across 400+ games without asking you to buy a new graphics card.

By
Shubham Sawarkar
Shubham Sawarkar
ByShubham Sawarkar
Editor-in-Chief
I’m a tech enthusiast who loves exploring gadgets, trends, and innovations. With certifications in CISCO Routing & Switching and Windows Server Administration, I bring a sharp...
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Jan 12, 2026, 4:03 AM EST
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Nvidia dlss 4 multi frame generation ces 2026 over 250 supported games and apps
Image: NVIDIA
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NVIDIA’s latest DLSS 4.5 Super Resolution update quietly flips a switch for anyone with a GeForce RTX card: the games you already own can now look cleaner, sharper, and more stable in motion, across a library of more than 400 supported titles and apps. It is not a flashy new game or a shiny GPU, but a new AI brain for the upscaler you have likely been using for years.​

DLSS has always been a bit of a magic trick: render a game at a lower resolution, then use AI to upscale it so it looks close to native, freeing up performance for ray tracing and higher frame rates. With DLSS 4.5, NVIDIA is essentially swapping out the core model that does that upscaling, rolling in a second‑generation transformer that has been trained on a bigger, higher‑quality dataset and runs with about five times the compute of the original DLSS 4 transformer. The pitch is straightforward: better lighting, cleaner edges, and noticeably more stable motion, especially in scenes with lots of fine detail and movement.​

You can see the company trying to prove that point with hand‑picked examples. In The Elder Scrolls IV: Oblivion Remastered, fast‑moving objects that used to leave faint ghost trails now stay much clearer, with far fewer smears behind them. In Indiana Jones and the Great Circle, character outlines and hard edges that previously looked a bit jagged in motion are smoothed out, with more confident anti‑aliasing at 4K in Performance mode. In Kingdom Come: Deliverance 2, subtle shimmering on surfaces like tables is tamped down, so textures stay crisp instead of crawling when the camera moves. Independent early looks echo that trend: image‑quality breakdowns note sharper anti‑aliasing, richer detail on small geometry, and a clear bump in temporal stability compared to DLSS 4.​

The most interesting bit is where DLSS 4.5 does its work. Earlier approaches, including a lot of TAA and older super‑resolution techniques, tended to operate in logarithmic space to keep flicker under control, but that often came at the cost of muted lighting and crushed highlights. DLSS 4.5’s new model trains and infers directly in linear space, which is closer to the game engine’s own ground truth, so it can accumulate lighting more physically accurately without having to compress the signal just to keep it stable. In practice, that means neon signs, bright reflections, and other high‑contrast areas keep more of their color range and detail instead of turning into blown‑out blobs when you pan the camera.​

From a hardware perspective, the upgrade plays especially well with newer RTX 40 and 50 series cards, which have faster Tensor Cores and native FP8 support. Running the bigger, more complex transformer in FP8 effectively doubles inference throughput on those GPUs, which lets NVIDIA claim that the bump in quality comes with only a minor performance hit versus the older model. That is why the company is leaning on Performance and Ultra Performance modes in its messaging: those are the presets where you are rendering the fewest native pixels, so any improvement in upscaling quality shows up dramatically, and NVIDIA says Performance mode can now match or even beat native image quality in some scenarios.​

The catch is that not every RTX card benefits equally. DLSS 4.5 Super Resolution is available across RTX 20, 30, 40, and 50 series, and you can force it on via the NVIDIA app’s new DLSS Override feature by choosing the “Latest” model preset. But the flagship new presets—Model M (tuned for DLSS Performance) and Model L (tuned for 4K Ultra Performance)—lean hard on FP8, so on RTX 20 and 30 series GPUs, which lack native FP8, they carry a heavier performance cost. NVIDIA explicitly suggests some owners of those older cards may prefer to stick with Model K (the DLSS 4.0‑era model) if they want the best balance of performance and visual quality, using the app’s override controls to pick the model that feels right for their setup.​​

If you are wondering what you actually have to do to get any of this, the process is fairly simple. You need the latest Game Ready driver and the new NVIDIA app beta; once those are installed, you head to the Graphics tab in the app, flip on DLSS Overrides, and set the model preset to “Latest,” so DLSS 4.5 is used wherever possible. NVIDIA’s overlay can show which DLSS model is active in‑game, so you can verify you are actually on the new transformer and not an older fallback. Because DLSS 4.5 is designed to be backward‑compatible with existing DLSS integrations, you do not have to wait for every individual game to push a patch; the override lets you apply the new model across that 400‑plus‑strong catalogue of DLSS‑enabled games and apps right now.​

NVIDIA is pairing all of this with a more aggressive play on the frame‑generation side, though that part will matter most to RTX 50 series owners. Alongside the improved Super Resolution, DLSS 4.5 introduces a new 6X Multi Frame Generation mode that can generate up to five AI frames for every traditionally rendered one, for a maximum 6x effective frame‑rate multiplier. On paper, that is enough to push path‑traced titles at 4K beyond 240 frames per second, tapping into the full potential of 240Hz and even 360Hz monitors. NVIDIA quotes up to a 35 percent frame‑rate uplift when moving from 4X to 6X Multi Frame Generation in 4K path‑traced scenarios on RTX 50 series, with Reflex handling the latency side so those extra frames do not make your input feel mushy.​​

The other new trick is Dynamic Multi Frame Generation, which behaves like an automatic gearbox for your frame rate. Instead of locking you into a fixed multiplier, the system continuously watches the gap between your GPU’s current output and your display’s refresh rate, then dials frame generation up or down to keep you as close to that ceiling as possible. When a scene gets heavy—lots of ray‑traced effects, dense geometry, weather, crowds—it “upshifts” and generates more frames to smooth out dips; when the load eases, it backs off to avoid generating frames you do not need. The idea is to give you the upside of frame generation (high refresh, smoother animation) while minimizing the downsides in terms of latency and potential artifacts by not overusing it when your GPU is already comfortably ahead.​

There is also some housekeeping on the UI front that PC players will quietly appreciate. The updated frame‑generation model feeds on more data from the game engine, which lets it treat HUD elements differently from the 3D scene, so things like minimaps, quest markers, and text overlays stay sharper instead of smearing or flickering as you move the camera. NVIDIA specifically calls out games like The Outer Worlds 2, Marvel’s Spider‑Man 2, Dragon Age: The Veilguard, and Starfield as titles where this should be noticeable, with cleaner UI elements even when frame generation is working hard.​

For players, the bigger picture is that the default DLSS experience is just getting better without you having to wait for a new generation of cards. DLSS 4.5 is already usable today on all RTX generations via the NVIDIA app, and it plugs straight into more than 400 existing games and applications—from big AAA ray‑traced showcases to smaller titles that simply use DLSS for a frame‑rate boost. External testing is starting to show that, in some titles, DLSS 4.5’s Performance mode can now rival or even outclass native rendering in perceived image quality, even if the raw frame‑rate uplift is not as dramatic as earlier DLSS jumps. For anyone who has gotten used to treating DLSS as a necessary evil to hit 60 or 120 FPS, that shift—toward using it because it can actually look as good as or better than native—is the part that may end up mattering most.


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